howdy ! and welcome to the future. the future is a bit less formal than the past: it’s still underway, still becoming
on a macro-scale-future: a gentle reminder that our collective future is unquestioningly and emphatically diverse, intersectional, equitable, free, empathetic, and reparated. if you’re not with it, then you are against it, man.
upcoming & in development☟☟☟☟
LES BI(T)CHES by MIRAGE AUTO DEPOT
In residence with Rattlestick Theater and under commission with Baltimore Center Stage and Breaking the Binary Theater. It is 1925 and it is 2025 and it is neither of those times.
It was Les Biches in Paris and it is LES BI(T)CHES here in Brooklyn and we’re not even on the Lower East Side. And even if we were, it isn’t the ‘Lower East Side’ anymore than Paris is still Paris, or, at least not what it was in 1924 when Les Biches premiered there, and the LES may as well be gone too if we’re thinking about what it was in the 60s or 70s, but of course it can’t be what it was then, nothing can.
It is the thing that it is now because it is, everything is change. But there are constants. Over one hundred years ago, there were trans people — and queers and dykes, fags and their friends, just like now. Just like today and here. And there were fascists who wielded their power over them, blamed them for war and death, and demanded their nonexistence.
And in turn, like today, there was fierce resistance and there was cowardice. There was Claude Cahun and Romaine Brooks and all their friends, and we’re bringing them back to life.
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NOSEDIVE FOREVER by Logan gabrielle Schulman
Workshop production 2026-27.
Wally and Egg can’t stop falling, and in fact, they may never stop falling ever. Somehow, Wally and Egg are caught in an eternal descent, embodying the uncanny sensation of plummeting—the jerk, the panic, head rush, heartbeat, sweat—within our hyper- contemporary reality, as seen through a funhouse mirror. Silly, somber, and profound, as Wally and Egg race to the bottom, what can they even really do about it anyway?
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