Logan Schulman Performance

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	<title>Logan Schulman Performance</title>
	<link>https://loganschulman.net</link>
	<description>Logan Schulman Performance</description>
	<pubDate>Wed, 05 Nov 2025 17:44:00 +0000</pubDate>
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		<title>new home</title>
				
		<link>https://loganschulman.net/new-home</link>

		<pubDate>Fri, 02 Sep 2022 17:56:28 +0000</pubDate>

		<dc:creator>Logan Schulman Performance</dc:creator>

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&#38;nbsp; &#38;nbsp;
 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;enter⟶ &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; enter⟶


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		<title>about</title>
				
		<link>https://loganschulman.net/about</link>

		<pubDate>Mon, 17 Sep 2018 22:20:38 +0000</pubDate>

		<dc:creator>Logan Schulman Performance</dc:creator>

		<guid isPermaLink="true">https://loganschulman.net/about</guid>

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&#60;img width="5184" height="2920" width_o="5184" height_o="2920" data-src="https://freight.cargo.site/t/original/i/ffc2f06c424c175a419b13ba8e82a6694fa8ae3f41f6678244dfbe24a7ff6d20/IMG_9605.jpg" data-mid="134279823" border="0" alt="Photo by Nancy Nassiff" data-caption="Photo by Nancy Nassiff" src="https://freight.cargo.site/w/1000/i/ffc2f06c424c175a419b13ba8e82a6694fa8ae3f41f6678244dfbe24a7ff6d20/IMG_9605.jpg" /&#62;
&#60;img width="2690" height="3820" width_o="2690" height_o="3820" data-src="https://freight.cargo.site/t/original/i/3af530ae807eb29e1b1327413fd21579d40fcb08e8297a15fb3cb02544803497/Logan-Gabrielle-Schulman-Headshot-2021.jpg" data-mid="134282290" border="0" alt="Photo by Jesse Clark" data-caption="Photo by Jesse Clark" src="https://freight.cargo.site/w/1000/i/3af530ae807eb29e1b1327413fd21579d40fcb08e8297a15fb3cb02544803497/Logan-Gabrielle-Schulman-Headshot-2021.jpg" /&#62;
Logan gabrielle Schulman (they/them) is a multidiscplinary performance and social-practice artist: a director, writer, designer, dramaturg, puppeteer, and educator. They are a co-founder of the art collective Mirage Auto Depot.
Logan gabrielle is most passionate about devised work, progressive new works development, puppetry, and social and ecological justice. Their original works investigate modern crises of faith, queer and trans life in america (in directly contrast with toxic american masculinities) using immersive performance and rituals rooted in grief practice and spacemaking for mourning together in public. Logan gabrielle and Mirage Auto Depot are currently artists-in-residence at Rattlestick Theater and under commission with Baltimore Center Stage and Breaking the Binary Theater. They are an educator at the Guggenheim Museum and NYU/Playwrights Horizons; a director, producer, and grants manager with Flying Leap Productions; a company puppeteer in Central Park’s Swedish Cottage Marionette Theatre; and a producer and programs consultant to The Neighborhood in Brooklyn.&#38;nbsp;
Their performance works have been shown at the National Queer Theater, the Solomon R. Guggenheim Museum, The Public/Theatre of the Oppressed NY, The Drama League, Governors Island, Hangar Theatre, the Chautauqua Institution, The Brick, TheaterWorksUSA, Theaterlab, 601Artspace Gallery, Creature Space, and regionally with Sarasota Orchestra, Orlando Rep, Sarasota Art Museum, Philadelphia FringeArts, Plays and Players, University of Pennsylvania’s Annenberg Center and Arthur Ross Gallery, Melbourne Fringe, and Chicago’s Petrillo Music Shell, among others. Their written dramatic works are held in the collections of Walnut Street Theatre, Harry Ransom Center at UT Austin, Brizdle-Schoenberg Special Collections of the Goldstein Library at Ringling College of Art and Design, Greensboro Contemporary Jewish Museum, Elsewhere Museum, and on the 2020 Kilroys List. Their work has been featured in Vogue, Hyperallergic, the Brooklyn Rail, Playbill, The Theatre Journal, and American Theatre Magazine. 


Schulman received their training from the Stella Adler Studio of Acting in New York, the Headlong Performance Institute in Philadelphia, and holds a BA with honors in religion and performance from the New College of Florida in Sarasota, FL, where in 2022, they served as an Andrew W. Mellon Foundation-funded adjunct theater faculty, prior to FL Gov. Ron DeSantis' hostile takeover of the school.

contact me here or use logangabrielschulman at gmail dot com&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;donate to support my work here
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;and subscribe to my mailing list below !

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    &#38;nbsp;&#38;nbsp;
 
    
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="320" height="180" width_o="320" height_o="180" data-src="https://freight.cargo.site/t/original/i/4f9c681d7b12a46ad28ed99b0e374553b10df217dd14da256d9590b212c62bf7/GIPHY.gif" data-mid="163826813" border="0" data-scale="100" src="https://freight.cargo.site/w/320/i/4f9c681d7b12a46ad28ed99b0e374553b10df217dd14da256d9590b212c62bf7/GIPHY.gif" /&#62;</description>
		
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		<title>the past copy</title>
				
		<link>https://loganschulman.net/the-past-copy</link>

		<pubDate>Wed, 05 Nov 2025 17:44:00 +0000</pubDate>

		<dc:creator>Logan Schulman Performance</dc:creator>

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		<description>
a digital portfolio of&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;past visual&#38;nbsp; and 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;performative works


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&#60;img width="2896" height="2896" width_o="2896" height_o="2896" data-src="https://freight.cargo.site/t/original/i/44e8e452e6ba38cb3e646adb3b58ef675e7bf9f905f060afbab4a0747521d3a4/IMG_3611.JPG" data-mid="240298546" border="0" data-draggable alt="The Remaining Hours, installation 0:01, 2017" data-caption="The Remaining Hours, installation 0:01, 2017" src="https://freight.cargo.site/w/1000/i/44e8e452e6ba38cb3e646adb3b58ef675e7bf9f905f060afbab4a0747521d3a4/IMG_3611.JPG" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5bfffc517907cef8809a975230e69eaa522c8eb6943c3515465ce4e22fbfa8c7/IMG_3318.JPG" data-mid="240298533" border="0" data-draggable alt="men &#38;amp; god experiments, 2016" data-caption="men &#38;amp; god experiments, 2016" src="https://freight.cargo.site/w/1000/i/5bfffc517907cef8809a975230e69eaa522c8eb6943c3515465ce4e22fbfa8c7/IMG_3318.JPG" /&#62;
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		<title>the future</title>
				
		<link>https://loganschulman.net/the-future</link>

		<pubDate>Tue, 18 Sep 2018 22:52:08 +0000</pubDate>

		<dc:creator>Logan Schulman Performance</dc:creator>

		<guid isPermaLink="true">https://loganschulman.net/the-future</guid>

		<description>howdy ! and welcome to the future. the future is a bit less formal than the past: it’s still underway, still becoming&#38;nbsp;on a macro-scale-future: a gentle reminder that our collective future is unquestioningly and emphatically diverse, intersectional, equitable, free, empathetic, and reparated. if you’re not with it, then you are against it, man.


upcoming &#38;amp; in development☟☟☟☟

LES BI(T)CHES by MIRAGE AUTO DEPOTIn residence with Rattlestick Theater and under commission with Baltimore Center Stage and Breaking the Binary Theater.&#38;nbsp;It is 1925 and it is 2025 and it is neither of those times. 
It was Les Biches in Paris and it is LES BI(T)CHES here in Brooklyn and we’re not even on the Lower East Side. And even if we were, it isn’t the ‘Lower East Side’ anymore than Paris is still Paris, or, at least not what it was in 1924 when Les Biches premiered there, and the LES may as well be gone too if we’re thinking about what it was in the 60s or 70s, but of course it can’t be what it was then, nothing can. 
It is the thing that it is now because it is, everything is change. But there are constants. Over one hundred years ago, there were trans people — and queers and dykes, fags and&#38;nbsp; their friends, just like now. Just like today and here. And there were fascists who wielded their power over them, blamed them for war and death, and demanded their nonexistence. 

And in turn, like today, there was fierce resistance and there was cowardice. There was Claude Cahun and Romaine Brooks and all their friends, and we’re bringing them back to life.

&#60;img width="480" height="360" width_o="480" height_o="360" data-src="https://freight.cargo.site/t/original/i/5e361b6abcc19d184615530127d6efdddeb4a1e5b82019ff10ab543a2ee75a9c/54BCFE3F-B344-44CA-9A60-B579C89086DE_4_5005_c.jpeg" data-mid="240306721" border="0" data-scale="47" src="https://freight.cargo.site/w/480/i/5e361b6abcc19d184615530127d6efdddeb4a1e5b82019ff10ab543a2ee75a9c/54BCFE3F-B344-44CA-9A60-B579C89086DE_4_5005_c.jpeg" /&#62;_________________________________


NOSEDIVE FOREVER by Logan gabrielle Schulman
Workshop production 2026-27.
Wally and Egg can’t stop falling, and in fact, they may never stop falling ever. Somehow, Wally and Egg are caught in an eternal descent, embodying the uncanny sensation of plummeting—the jerk, the panic, head rush, heartbeat, sweat—within our hyper- contemporary reality, as seen through a funhouse mirror. Silly, somber, and profound, as Wally and Egg race to the bottom, what can they even really do about it anyway?&#60;img src="https://media4.giphy.com/media/B6htLP3BcQz8d422Yz/200.gif?cid=6c09b952d47vmj256cb8urx3k0ywxzdtgh9d2f1rfi2ixo6z&#38;amp;ep=v1_internal_gif_by_id&#38;amp;rid=200.gif&#38;amp;ct=g"&#62;

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